"Read it?" The exchange of observations between the friends had grown very direct by the time Fleda asked Mrs. Gereth whether she literally meant to shut herself up and stand a siege, or whether it was her idea to expose herself, more informally, to be dragged out of the house by constables. "Oh, I prefer the constables and the dragging!" the heroine of Poynton had answered. "I want to make Owen and Mona do everything that will be most publicly odious." She gave it out that it was her one thought now to force them to a line that would dishonor them and dishonor the tradition they embodied, though Fleda was privately sure that she had visions of an alternative policy. The strange thing was that, proud and fastidious all her life, she now showed so little distaste for the world's hearing of the squabble. What had taken place in her above all was that a long resentment had ripened. She hated the effacement to which English usage reduced the widowed mother: she had discoursed of it passionately to Fleda; contrasted it with the beautiful homage paid in other countries to women in that position, women no better than herself, whom she had seen acclaimed and enthroned, whom she had known and envied; made in short as little as possible a secret of the injury, the bitterness she found in it. The great wrong Owen had done her was not his "taking up" with Mona—that was disgusting, but it was a detail, an accidental form: it was his failure from the first to understand what it was to have a mother at all, to appreciate the beauty and sanctity of the character. She was just his mother as his nose was just his nose, and he had never had the least imagination or tenderness or gallantry about her. One's mother, gracious heaven, if one were the kind of fine young man one ought to be, the only kind Mrs. Gereth cared for, was a subject for poetry, for idolatry. Hadn't she often told Fleda of her friend Madame de Jaume, the wittiest of women, but a small, black, crooked person, each of whose three boys, when absent, wrote to her every day of their lives? She had the house in Paris, she had the house in Poitou, she had more than in the lifetime of her husband (to whom, in spite of her appearance, she had afforded repeated cause for jealousy), because she had to the end of her days the supreme word about everything. It was easy to see that Mrs. Gereth would have given again and again her complexion, her figure, and even perhaps the spotless virtue she had still more successfully retained, to have been the consecrated Madame de Jaume. She wasn't, alas, and this was what she had at present a magnificent occasion to protest against. She was of course fully aware of Owen's concession, his willingness to let her take away with her the few things she liked best; but as yet she only declared that to meet him on this ground would be to give him a triumph, to put him impossibly in the right. "Liked best"? There wasn't a thing in the house that she didn't like best, and what she liked better still was to be left where she was. How could Owen use such an expression without being conscious of his hypocrisy? Mrs. Gereth, whose criticism was often gay, dilated with sardonic humor on the happy look a dozen objects from Poynton would wear and the charming effect they would conduce to when interspersed with the peculiar features of Ricks. What had her whole life been but an effort toward completeness and perfection? Better Waterbath at once, in its cynical unity, than the ignominy of such a mixture!!

Mrs. Gereth said nothing for a minute. "You're prodigious in your choice of terms!" she then simply ejaculated. "To give them up?" Fleda hesitated again.

"We're together, we're together," said Mrs. Gereth. She looked helpless as she sat there, her eyes, unseeingly enough, on a tall Dutch clock, old but rather poor, that Maggie had had as a wedding-gift and that eked out the bareness of the room. This made his companion thoughtful again. "Can you take such pleasure in her being 'finished'—a poor girl you've once loved?" In knowing a while before all she needed, Fleda had been far from knowing as much as that; so that once upstairs, where, in her room, with her sense of danger and trouble, the age of Louis Seize suddenly struck her as wanting in taste and point, she felt that she now for the first time knew her temptation. Owen had put it before her with an art beyond his own dream. Mona would cast him off if he didn't proceed to extremities; if his negotiation with his mother should fail he would be completely free. That negotiation depended on a young lady to whom he had pressingly suggested the condition of his freedom; and as if to aggravate the young lady's predicament designing fate had sent Mrs. Gereth, as the parlor-maid said, "up the back road." This would give the young lady more time to make up her mind that nothing should come of the negotiation. There would be different ways of putting the question to Mrs. Gereth, and Fleda might profitably devote the moments before her return to a selection of the way that would most surely be tantamount to failure. This selection indeed required no great adroitness; it was so conspicuous that failure would be the reward of an effective introduction of Mona. If that abhorred name should be properly invoked Mrs. Gereth would resist to the death, and before envenomed resistance Owen would certainly retire. His retirement would be into single life, and Fleda reflected that he had now gone away conscious of having practically told her so. She could only say, as she waited for the back road to disgorge, that she hoped it was a consciousness he enjoyed. There was something she enjoyed; but that was a very different matter. To know that she had become to him an object of desire gave her wings that she felt herself flutter in the air: it was like the rush of a flood into her own accumulations. These stored depths had been fathomless and still, but now, for half an hour, in the empty house, they spread till they overflowed. He seemed to have made it right for her to confess to herself her secret. Strange then there should be for him in return nothing that such a confession could make right! How could it make right that he should give up Mona for another woman? His attitude was a sorry appeal to Fleda to legitimate that. But he didn't believe it himself, and he had none of the courage of his suggestion. She could easily see how wrong everything must be when a man so made to be manly was wanting in courage. She had upset him, as people called it, and he had spoken out from the force of the jar of finding her there. He had upset her too, heaven knew, but she was one of those who could pick themselves up. She had the real advantage, she considered, of having kept him from seeing that she had been overthrown.